See a collection of my work
at DT25 in Cologne!
The exhibition will take place during the Interior Design Days Cologne in the building of the former Stoff Pavillon Moeller, a highlight of post-war architecture designed by Wilhelm Riphahn and built in 1952. In the setting of this unique architectural monument and presented as a group exhibition, DT25 will showcase innovative furniture and furnishings from 10 selected designers and studios, totalling over 60 exhibits.
The exhibitors KOSMOFORM (Cologne), Moebel Compagnie (Cologne), Obscure Objects (Berlin), baze.berlin (Berlin), Paula Burfeind (Cologne), Njustudio (Coburg), Celina Kroder (Essen), Hayo Gebauer (Berlin), Peter Otto Vosding (Cologne) and Alexander von Dombois (Cologne) will be presenting their work. Both of the latter were awarded >>Cartes Blanches<< by Kölner Passagen and KölnBusiness. They are therefore not only part of the DT exhibition, but as two of a total of eleven selected for this year’s Interior Design Days Cologne, they are also the special focus of the entire design event.
DT25 showcases outstanding designs in terms of form and production technology in a spectrum ranging from brand new prototypes, individual one-off pieces and small series to established series products. For example, the high-quality woodwork, realised in oak and silver fir, designed by Moebel Compagnie or Alexander von Dombois. Electricity is the mission of Njustudio’s electricity pet with a mobile socket at a comfortable height. Obscure Object focuses on designing with stainless steel and aluminium, processed into striking furniture.
Using the latest possibilities of the process, some exhibitors realise their designs using 3D printing. While baze.berlin produce large-format pieces using a robotic arm, Peter Otto Vosding’s luminaire is 3D printed from sand. The topic of light plays a special role for KOSMOFORM, Celina Kroder and Hayo Gebauer. In particular, their works reflect their preoccupation with the utilisation and effect of light as well as the aesthetic appeal of light sources. Light is also a factor in Paula Burfeind’s work. Her transparent, partly coloured acrylic glass furniture unfolds its effect especially in interaction with the incidence of light.
Fiore
Klack!
